SYNOPSICS
Barbarella (1968) is a English,French movie. Roger Vadim has directed this movie. Jane Fonda,John Phillip Law,Anita Pallenberg,Milo O'Shea are the starring of this movie. It was released in 1968. Barbarella (1968) is considered one of the best Adventure,Comedy,Fantasy,Sci-Fi movie in India and around the world.
The year is 40,000. After peaceful floating in zero-gravity, astronaut Barbarella lands on the frozen planet Lythion and sets out to find renowned scientist Durand Durand in the City of Night, Sogo, where a new sin is invented every hour. There, she encounters such objects as the Excessive Machine, a genuine sex organ on which an expert artist of the keyboard, in this case, Durand Durand himself, can drive a victim to death by pleasure, a lesbian queen who can make her fantasies take form in her Chamber of Dreams, and a group of ladies smoking a giant hookah which dispenses Essence of Man through a poor victim struggling in its glass globe. You can not help but be impressed by the special effects crew and the various ways that were found to tear off what minimal clothes our heroine seemed to possess.
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Barbarella (1968) Reviews
The greatest psychedelic science fiction sex comedy ever made!
I first saw 'Barbarella' on TV as a small child in the 1970s and along with 'The Omega Man', 'One Million Years B.C.', and 'Jason and the Argonauts' the movie blew my tiny little mind! I think my interest in cult and bizarre began from seeing this classic slice of 1960s psychedelic trash for the first time. This is one of the silliest movies ever made, but still one of the most entertaining. Jane Fonda, then at the peak of her sex kitten period (history lesson - this was before "radical Jane" and "corporate Jane"), has never looked lovelier than in this movie, and manages to really pull off Barbarella's wide-eyed innocence. Anita Pallenberg (co-star of 'Performance' and then Keith Richards' "old lady") is stunning as The Great Tyrant, even if her voice is dubbed, and her handful of scenes with Fonda are unforgettable. The rest of the eclectic supporting cast includes cult favourites John Phillip Law ('Diabolik') as Pygar, the blind angel, David Hemmings ('Profondo Rosso') as Dildano a revolutionary, and Milo O'Shea ('Theatre Of Blood') as renegade Earth scientist Duran Duran. 'Barbarella' contains some of the most striking and surreal images of the 1960s (the doll attack scene is one of my all time favourites!), and is definitely one of the most bizarre science fiction movies ever made. Like many of the 1960s more excessive movies it is a real love it or hate it proposition. I love it of course, and think it, Russ Meyer's 'Faster Pussycat! Kill! Kill!', and Roger Corman's 'The Trip' are the three greatest 1960s trash classics. This is simply absolutely essential viewing for all 1960s buffs, science fiction or otherwise. Long live 'Barbarella'!
Essential Sci-Fi
This is eye candy from start to finish-- *including* one of the most baroque title sequences ever concocted (long before digital technology made this kind of playful titling standard). It's Franco-Italian design all the way through, a celebration of petroleum products and the best of the lava lamp aesthetic. Hard to tell if it's a parody of sci-fi or a parody of porn, or same difference is probably the point. There are some very stylized, sadomasochistic uses of Jane Fonda's long legs, at the same time that Fonda delivers the wittiest lines, in a very witty screenplay by Terry Southern (of Doctor Strangelove fame): "Decrucify my angel immediately!" (Kids, see if you can spot the Chucky in this 1968 precursor.) Skeptics should stay the course to learn what Duran Duran has to do with Barbarella. And Barbarella with the Black Queen. And the Black Queen with the Rolling Stones. And if you don't know what camp is, then you have to see Barbarella: even if the film is more sublime than camp, a kind of psychedelic Brechtian fantasia. (If that's not a contradiction in terms, then this isn't on my sci-fi shortlist.) One to own, to watch again and again.
Sexed-Up and Super-Silly
If you're looking for a cult classic, they don't come much stranger than sexed-up and super-silly BARBARELLA, the peculiar tale of an intergalactic secret agent (Jane Fonda) sent to a rebel planet to find a mad scientist named Duran Duran (Milo O'Shea.) Directed by Fonda's then-husband Roger Vadim, the film is less concerned with creating a coherent storyline than it is in finding inventive ways to strip Fonda of her already skimpy outfits. In this it is remarkably successful, and Fonda actually has both enough sex appeal and round-eyed innocence to carry the thing off, emerging as something like a Barbie doll; John Philip Law strikes a similar note as the sexy but equally innocent "angel" Pygar. The designs are 1960s psychedelic with as many Freudian twists as the film's makers can come up with, and when all is said and done you can't help but roll your eyes in amusement. True enough, BARBARELLA was probably much more entertaining back in the days LSD, and indeed one might read the entire thing as an acid trip time machine. No one in the cast takes the film very seriously, and neither should you; when all is said and done it has all the depth of a pancake, not so much funny as merely amusing and appealing to a very high-camp sensibility. But as cult movies go, it ranks right up at the top. Give a party and show it on a double bill with FLESH GORDON! Gary F. Taylor, aka GFT, Amazon Reviewer
the most beautiful film ever made
This film is beautiful. From the gorgeous Jane Fonda, and sexy Pygar to the wonderful costumes, and the very shiney sets, there is nothing ugly in the whole thing. Unbelievably silly it has some fantastic lines of dialogue like "de-crucify the angel or I melt your face!" Great characters, a killer lava lamp, fur lined space ship and a villain called Duran Duran. The evil organ of desire scene, and the opening strip tease still manage to be erotic, even though this film is dated. Cult with a capital C, this is never going to appeal to a mainstream audience, and yet remains my favourite movie of all time. A classic. And very pretty pretty.
Campy fun, but a bit tiresome by the end.
Based on the classic comic by Jean-Claude Forest, Barbarella is a benchmark of camp 60's weirdness. It captures the flavor of the strip, which had a certain tongue-in-cheek sensibility. It is probably the best of Dino De Laurentiis' comic adaptations. Jane Fonda is at her sexiest, and then-hubby Roger Vadim likes to show her assets off. Those who have only seen Serious Jane, Aerobics Jane, Mrs. Turner Jane, or Hanoi Jane, are really missing out. Fonda had quite a talent for comedy. The rest of the cast vary in quality. John Philip Law is wooden as ever, but David Hemmings is great as the revolutionary Dildano. For those raised in the post-Star Wars special effects world, you'll probably cringe at the effects, but they are passable, given the era, and it adds to the campy charm. Dino De Laurentiis has been both a blessing and a curse to comics. He has produced several films based on European and American comics; unfortunately, most of them are pretty bad. Diabolik and Flash Gordon do nothing but injustice to their source material. Conan was good, but Red Sonja definitely wasn't. In fact European comics have fared rather poorly. Aside from the aforementioned Diabolik, Modesty Blaise ruined what was a great action/adventure/spy strip and turned it into a campy mess. Barbarella, on the other hand, holds up, since it was never really a serious strip. Yes, this is the film that would inspire the future Duran Duran and entice Drew Barrymore to pursue a remake. And yes kiddies, Jane is nekkid in this one, so get that pause button ready. I mean come one, who actually watches this for the acting?