Island of Death (1976) Reviews

• Better than average, still watchable, greek gore

  FilmFlaneur2003-04-15

  This is one of the original 'video nasties', and still only available in a heavily cut version in the UK (although easily available in uncut R1 format). Apparently made quickly to make cash for its first time director Nico Mistorakis, it is the story of a young tourist couple, Christopher and Celia who arrive on the picturesque island of Mykonos. At first we think them innocents, entering a world of terror. Soon it turns out that in fact they are the monsters, Christopher in particular being concerned to rid the word of 'perverts', photographing the mayhem as they go through local acquaintances - at first for kicks, then to cover their tracks. Much of the film is just a pretext for a catalogue of imaginative slaughter. The acting is variable at best (Jayne Ryall, playing Celia looking particularly bemused at the whole business, and this was her only film). The film includes sex and rape, both human and animal but, like so much of its ilk, is ironically coy about these physical acts, showing only such nudity and rare bursts of pubes as would sit easily in a softcore sex comedy. The exception is perhaps the urination scene which, because it is so unexpected and rare away from porno cinema, does at least raise eyebrows. The much vaunted 'goat rape' is patently faked and unconvincing but, as it takes place very early on at least alerts viewers to the real nature of the psychopathic Chris. Surprisingly for a film with such a strong reputation, none of the violence really shocks today, although the range of deaths (by crucifixion and paint poisoning, hanging from a plane wing, heroin overdose, sword and scythe, bulldozer, etc) have an ingenious variety - a testimony to the director's plan to outdo competing exploitation films in range. Celia's bathtub rape is loud and threatening, but that of Susan George in the newly uncut UK issue of Straw Dogs is much more disturbing as well as actually being 'concluded' in the scene. It's another case, I would suggest, of sensibilities having moved on, leaving the BBFC unduly squeamish in cutting so much. Victims of the homicidal holidaymakers include homosexuals, lesbians, a middle aged nymphomaniac, 2 hippies, a Frenchman, a policeman (sent to track the notorious duo down) and so on. More of interest is the way in which the film provides continuous ironic inversion on a normal holiday narrative. The attractive island, full of native white buildings, blue skies and sunshine, looks to be straight out of a travel brochure, and our sense of place is aided by some reasonable good cinematography. Chris and Celia are the 'tourists' who are visiting, relaxing, and taking plenty of pictures. The difference being of course that they are snapping the humiliated, dead and dying rather than the serene landscape around them, making themselves a different sort of vacation altogether. `We do everything vice versa' as she says, and the film gains most of its power from the stream of atrocity-attractions visited upon the community in this peculiar context. It's their casual return to traditional holiday locales (the local taverna, romantic beach walks or cosy white washed rooms) between murders which is ultimately more disturbing than anything done in the meantime. Island of Death still bears watching, and is considerably better worked than some of the other 'nasties'. If you take this as a recommendation of course, that's up to you.

• Banned the world over - and I can see why

  dbborroughs2005-01-25

  This film touts that its been banned the world over and its easy to see why, its a film that plays with your head from beginning to end and leaves you feeling unwell for days. Odds are if you see it you'll understand why people don't want you to see it. The story of a pretty young couple on vacation in Greece turns more and more twisted as time goes on. Rape, murder, sadism and a few other delights get taken to the next level as more and more depravity is revealed. The film was made with the intention of disturbing the viewer and it disturbs almost from the outset as things very quickly are revealed to be seriously amiss. Its gets to the point where you're sitting on egg shells waiting for the next terrible thing to happen. You'll forgive the lack of details but anyone who is interested in seeing this are best left to fend for themselves. I think that plot-wise the less known the better so that you can truly enjoy, if it is enjoyment, the twisted twists. I don't know if I like it or hate it. The film certainly provokes a reaction but I'm not sure thats a good thing or bad thing. Certainly its not for anyone with gentile sensibilities. Its well made but beyond that you're on your own. 6 out of 10, though I'm not sure how to fairly rate it.

• Exploitation at its very best!

  cuttyface2006-09-29

  Island of death has it all - sex, torture, racism, sexism, homophobia, Christian-ploitation, hippies, gratuitous nudity, gay sex, lesbian sex, rape, gay rape, golden showers, fart as an insult, mysogyny, drugs, bestiality... THIS is what exploitation cinema is all about. Before I continue, if you want graphic sex, look elsewhere, this is strictly soft-core (and includes bush in full frontal due to the era in which it was filmed), and the violence is not really graphic gore (gore-hounds look elsewhere too). But for trash auteurs, this will be the movie you've always wanted to watch (even if you didn't know it). It gets more and more obscene and ridiculous as the movie continues, breaking all rules of political correctness and taste. The madness is set to a wacky, funky, totally inappropriate 70s soundtrack and has moments of absolute hilarity, often coming from the dialog. I was very impressed with this film watching it for the first time last night and will watch it many, many more times. Of all the 'cult' films I've got from internet shopping stores, this is the most satisfying thus far, absolutely not a let down. Unless you have the wrong idea of what sort of movie this will be (ie: extremely gory, porn or an A-grade movie) you can't go wrong.

• Classic Exploitation?

  MrOrange19802004-02-17

  Director Mastorakis is apparently the first to say that this film was made with one driving force - Money. It's clear to see that the director has sat down and said 'what's the most depraved, shocking and disgusting ways in which to rape, torture and kill a bunch of people' and on this level the film works. However, don't go looking for some deep underlying message to whats going on. I find it impossible to find any way of excusing this nasty little piece of cinema by saying that it has some thought provoking undercurrent quite simply because it doesn't. The story is of a couple arriving on a Greek island and instantly punishing the local residents for what the male lead see as sinful behaviour. Amongst the supposed sins are adultry (an ironic one given the nature of the stars vengence), homosexuality, lesbianism, drug-abuse and....well being a goat. The scenes of violence are rather tame compared to many films of its time let alone some of the blood-soaked mainstream movies about today. But it is not the violence that shocks about this film still today. It is more so the notion of the acts commited and the seemingly pointlessness of them. Some have called it a nasty little gem, others have found it to be over-hyped and rather dull, I however found it to be a classic piece of exploitation cinema. If you can't enjoy the film for it's visual acuity, I defy anyone not to enjoys its heavy seventies kitsch soundtrack, Classic.

• Deserves it's cult status as one of the more nasty Video Nasties!

  The_Void2006-05-06

  Island of Death is the Video Nasty equivalent of the story of Bonnie and Clyde. This film has an elevated status on the Video Nasty list as it's often seen to be one of the more nasty entries. This is certainly true, as the film features all manner of gory and sadistic sequences, and it really isn't hard to see why it got banned. As far as I'm concerned, Island of Death is an absolute treat, as the film is a constant stream of highlights and it's a great deal of fun seeing our central couple skipping from one murder to the next. It's obvious that the film is not meant to be taken completely seriously, as director Nico Mastorakis implements a pitch black sense of humour into most sequences; the fact that the central duo are complete and utter hypocrites is perhaps one of the most amusing things about the film. The plot simply follows a young British couple who travel to a small Greek island. After a phone call to the man's mother, it soon becomes apparent that these aren't normal people; and when they start murdering their way through the island's perverted inhabitants in the name of God, this notion is confirmed! The film is notorious for a few scenes, the one involving a goat being of the most well-known. However, aside from this; the film features a plethora of gory highlights to delight the exploitation fan, favourites of mine involving a man hanging out of a plane and a rather one-sided swordfight. As you would expect from a Video Nasty, the acting is rather poor; with the central duo putting in particularly horrid performances. It really doesn't matter, however, as director Nico Mastorakis makes up for his actor's lack of talent by selecting a beautiful lead actress; and the stunningly clean Greek locations, which brilliantly offset the gritty scenes of slaughter. Films like this are quite common, as aside from Bonnie and Clyde, we've also had Badlands, Natural Born Killers, True Romance and more; but this is the one that is relentless and really gives the audience the impression that anything can happen. The film boils to down to an excellent climax, which delivers a brutal final twist to the tale as well as serving up comeuppance...well, almost. Typically for this film, the comeuppance isn't dished out in the most immediately obvious way, and overall; for its imagination, brutality and daring - I don't hesitate to recommend this film!