SYNOPSICS
Kiss or Kill (1997) is a English movie. Bill Bennett has directed this movie. Matt Day,Frances O'Connor,Tiffany Peters,Julie Wood are the starring of this movie. It was released in 1997. Kiss or Kill (1997) is considered one of the best Crime,Drama,Thriller movie in India and around the world.
Two young scam artists rob their drugged victims after the woman is picked up in bars and taken to a hotel room. The only problem is that their latest victim dies. Looking at his stuff, they suddenly find a video tape with a former athlete sexually involved with a young boy. The woman contacts the athlete and sets off a series of murders in which they are incriminated and a chase across Australia led by the athlete, the police, and an aborigine tracker.
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Kiss or Kill (1997) Reviews
pretty good
This is a sort of modern day film noir directed by Bill Bennett and stars Matt Day and Frances O'Connor. Day and O'Connor play a young couple in Austrila who are a couple of con artists and they mostly scam married men who pick up O'Connor in a bar. Things are going good until someone actually dies and they wind up with a videotape, on that videotape is a celebrity named Zipper Doyle, who is a football star, and he's having sex with a young boy. Day and O'Connor go on the run with both the police looking for them and Doyle trying to kill them. There are several more deaths but you don't see who murders who and Day and O'Connor get to the point where they can't trust each other. It's a pretty good movie that was a huge hit in Austrilia.
Another road movie but this time with a difference.
Day, Barry Langrishe, Chris Haywood, Andrew S. Gilbert, Max Cullen, Barry Otto. First impression is another road movie with two young lovers doing the Badlands. Director Bill Bennett is not that stupid. He has managed to add a twist in the genre, adding that extra spice. Yes, the fugitives are young and beautiful, with personality to keep one interested. But do they really know each other. Wherever they spend the night, a throat is sliced. Who could it be? Do they know each other that well? The entire movie is based on our perception of others. Do we really know much about our close ones. Even the detectives, (on the young lovers trail), have a moment over breakfast when one reveals a past the other never knew about. And for the general public, there is the character Zipper, an ex-footballer admired by everyone. But a video tape in the possession of our heroes reveals his inner evil. Matt and Frances do a fine job in a movie without a script, (they worked on a plot outline and the rest just happened). The great moments occur with the detectives played by Haywood and Gilbert, two skilled actors who bounce off each other so well that you sometimes feel as if you are watching a documentary. The technics used with the jump-cuts is an old one but works here. Just glad they didn't give us a picturesque of the Australian outback.
Truly exciting movie with damn near perfect control of tone
The comments from "Niro" have really got it right. This movie seems to belong squarely in that niche genre, the couple caught up in violence, lovers on the run. And it *is* that, and does as good a job of it as I've seen, even while breaking out of your expectations for that story line. Some of the plot development is worth reserving as a surprise; so I can't be specific about my satisfaction that this movie does not, after all, celebrate or justify violence -- as some other entries in this subgenre callously slip into doing. All the performances were carried out well. I particularly liked Barry Otto in a smallish but crucial supporting role, and am fast learning to stop confusing him with Geoffrey Rush.
Inconsistent, but watchable
The attention-grabbing beginning of this movie finds two scam artists, having accidentally killed a victim, stumbling on the possibility of blackmailing a football star, and setting in motion a quirky road movie with hints of black humour. I have to say, this sketchy synopsis recalls the type of plotline the Coen brothers might use. This is slightly misleading - the film is darker, less gimmicky and ultimately less fun than standard Coen brothers fare - but nonetheless the film does share several of the brothers' failings - noticeably an inability to create a consistent tone or convincing psychologies for the lead characters. We know the most important character suffered severe trauma as a child, yet we learn little about her other than that, and her boyfriend seems an even bigger mystery. Also, to illustrate the problems the film has with tone, the film has noirish themes, but has incongruously bright sunny photography. It also contains one brilliantly funny sequence, in which a cop finds he knows his partner less well than he thought, but frankly this scene looks like it comes from another movie. However, the film is always watchable. It does look attractive, even if its main stylistic tic - continual jump cuts, presumably in homage to Godard - does jar after a while. Moreover, a brash, confident central performance from Frances O'Connor definitely holds the attention, and I did feel that I cared for her basically hard-to-like character. Although the film is only a partial success, it still looks like the type of film that could develop a cult following.
Two cons on the run in Austailia.
I thoroughly enjoyed Kiss or Kill. I thought it was well acted, stylistically shot and terribly romantic! I recommend this film for couples that want to make it a Blockbuster night. Written and directed by Bill Bennett, this movie is about two cons who accidentally end up on the wrong side of the law and on the lam. Frances O'Connor absolutely sizzles stealing almost every scene. Matt Day holds his own as her tough as nails boyfriend with the big heart. Kiss or Kill's supporting cast charms as well with each character introduced breathing new life, meaning and comedy to the movie. I didn't think there was one bad performance in it. Kiss or Kill was witty, clever and, in some scenes laugh out loud funny. Kiss or Kill get's my seal of approval. Bust out the popcorn!