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Kyss mig (2011)

Kyss mig (2011)

GENRESDrama,Romance
LANGSwedish
ACTOR
Ruth Vega FernandezLiv MjönesKrister HenrikssonLena Endre
DIRECTOR
Alexandra-Therese Keining

SYNOPSICS

Kyss mig (2011) is a Swedish movie. Alexandra-Therese Keining has directed this movie. Ruth Vega Fernandez,Liv Mjönes,Krister Henriksson,Lena Endre are the starring of this movie. It was released in 2011. Kyss mig (2011) is considered one of the best Drama,Romance movie in India and around the world.

MIA (Ruth Vega Fernandez) and FRIDA (Liv Mjönes), both in their thirties, meet each other for the first time at their parents' engagement party. Mia's father, Lasse (Krister Henriksson), is about to get married to Frida's mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse's daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.

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Kyss mig (2011) Reviews

  • Kiss Me Again!

    itgirlx2012-11-14

    This film deserves more than one viewing, in fact, watch it a few times and see if you don't find yourself swept away by its many charms. Much of what goes unspoken in dialog is expressed in the subtlety of the the superb performances by Liv Mjönes, Ruth Vega Fernandez and the stellar supporting cast. Swedish superstar Lena Endre, so enamored of this production, became one of the films producers. The story's strength, sensitive writing and direction by Alexandra-Therese Keining brought together an ensemble of Sweden's finest actors for this relatively low budget indy film. Another thing to keep in mind, for America audiences in particular, is this film portrays European culture which has sensibilities pronouncedly different in the expression of day-to-day human interactions than their American counterparts. How these differences play out on film is quieter and more complex than your typical rom-com or American style drama. What goes unspoken is caught and translated within the context of every expression in every frame of film. The gorgeous cinematography and lushly sublime score adds subtext to every scene, while light and color underscore the blossoming of true love. The fresh-faced, no make-up, every-day hair and simplicity of style, lends an authenticity which engages one into the story and lets you feel the characters in every scene. Character development and the pure talent of the supporting cast, (Krister Henriksson, Lena Endre, Joakim Nätterqvist, Tom Ljungman and producer actress Josephine Tengblad) add a layer of complexity that rounds out and fills in the on-screen canvas. Mia's anxiety is palpable and her outbursts make one as nervous as if she were sitting next to you, all the while Frida's inexorable charm and playfulness fills you with the giddiness of first love which turns out be the real story of this film. Oh, and the on-screen chemistry between Frida and Mia is a breath-taking testament to great casting and inspired performance. So, watch "Kiss Me" again with a fresh eye, trained for how much can be said in a single look or gestures ripe with context, subtext and beautifully delivered one word lines like, "Absolut" or "Precis." Notice how that makes you feel, then remember when you found that brand of magic in your own life--or go out and find it.

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  • I love this movie !

    i-spookie2011-09-27

    Without much stash around it, it tells a love story anybody can relate to or believe in. That they are lesbians, to me a plus, has nothing to do with the story - it's a love story. It helps that it's Swedish - such a great language - and so far from Hollywood. A lot of great lesbian love stories has been made around the world in the last 20 years: Intimates (China), Fire (India), Produceing Adults (Finland), Between Two Women (GB), Aimée & Jaguar (Germany), I Can't Think Straight (Middleeastern, but UK) and (of course) Imagine You and me (UK) - not to mention all the rest from eastern Europe, Malaisia, Japan and South America - and all the other countries who are breaking the boundaries. Cudos to you all. But "Kyss Mig" kind of beats them all of the above for me because of it's honesty. All hypocrisy was set aside - it was what it was and people got hurt. I like that. To me that's life. Get a few blows - give a few blows. We are what we are - we do what we do. The two leads, Ruth Vega Fernandez as Mia and Liv Mjönes as Frida, gives beautiful performances, as do Lena Endre as the mom and Krister Henriksson as the rather confused and in denial father of Mia. And I loved Mia's brother, Oscar, played by Tom Ljungman. Actually - the only one I did not get a feel of was Tim, the boyfriend of Mia, played by Joakim Nätterqvist. Maybe a script thing but he came over too one dimensional to me. As for cudos: Great one to you, Alexandra-Therese Keining, writing it and for directing it !!! AND to you Josefine Tengblad, producer, playing Elin, Fridas girlfriend. Great job!! And for "rumpanbar" (meening in Swedish "bare ass") who gave it a 1 !! Are you for real ??? All in all: I love this film !

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  • beautiful and amazing

    heyandersson2011-11-14

    I loved this film. It is beautiful and brave, with great Swedish actresses (and actors). I suppose the story is quite "cliché" but that's nothing you think of while watching it, at all. The film is very emotionally intense. And again, the performance from the actresses, Ruth Vega Fernandez and Liv Mjönes is amazing. There's also a lot of parts that you can relate to (straight or gay) and that's very positive. As it is touching in many ways you do also get a few good laughs on the way! :) (Can also add that I adore where the setting take place. Especially because I've been to them places myself. One scene is shot at my school which of course makes it funnier to watch) Anyhow, I strongly recommend you to watch it, it won't leave you unaffected..

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  • More Than An Attempt...

    ccosta32492011-09-23

    Yes, yes, it follows the somewhat predictable story line of girl meets girl, girl falls in love with girl, girl is in denial, and girls end up together; but the movie was a lot more than just a lesbian love story. The family dynamic for starters, the father-daughter estranged relationship, all the secrets the family carries along, it reminds me of "The Village" where these group of people live a somewhat unrealistic peaceful and violence free environment, but nonetheless reality sets in and the inevitable happens. Life long journeys are never easy, and they are what they are - sometimes you will try to pretend it is not there screaming at your face, but it will be short lived... Mia is the example in this movie, and so is her father, who has to find within himself the courage to pick up the pieces of a recent past in order to mend his relationship with his daughter. Growing up has nothing to do with age. Besides a great story, I have to commend the director for her choice of location - the landscape is extremely bucolic, and inviting; also the soundtrack with songs from Swedish band Kultiration.. Super!!!

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  • a feast for the eye and balsam for the soul

    keepthingswhole2012-02-25

    Wow. Somehow I doubt that words can express how much I have enjoyed watching this film, but I simply must give it a go. The story starts with the celebration of Lasse and Elisabeth's engagement. Having found each other late in life, Lasse brings two adult children into the marriage, the youngest of which, Oskar, already has connected beautifully with Elisabeth's daughter, Frida. When Lasse's daughter Mia joins the party alongside her fiancé Tim, we immediately feel she is quite the unpolished element in the newly-composed family. It doesn't take very long however before we realize how she is going to blend in. Mia and Frida's first impressions of each other are exposed solely through body language. The secret looks they throw at each other radiate mutual curiosity, but whereas this curiosity is clearly of the welcoming kind on Frida's part, it is shrouded in a cloud of inexplicable caution on Mia's part. For the time being, that is. And this is the only scene in which I grew a little too aware of my own willing suspension of disbelief: the first kiss. Five extra minutes to waltz us to the moment where Mia lets her guard down would have been nice. Whereas the kissing scene makes it clear that Mia's initial reluctance to get to know her stepsister was fueled by self-protection and not aversion, it would have been so much more powerful if we also got to see what exactly had caused the sudden turnaround. One might attribute it to Frida's undeniable charm, her dazzling smiles and hypnotic gazes in the scenes running up to that precious moment, but then, she did not exactly save these up for those first private encounters. Rewind and you will notice that Frida wasn't any less endearing the very first moment you laid eyes on her. Or when Mia did, for that matter. From there on, the storytelling is pretty much flawless: the gradual and natural unraveling of two people who cannot stay away from each other and who eventually have to deal with the obstacles that prevent them from being together permanently. Sure, the final scene does reek a little of Hollywood, but thank god for a film that deals with same sex attraction and that does not end in total disaster! Generally speaking though, the film has quite a realistic feel about it, which probably has a lot to do with the performances. I don't know what it is that makes some couples work on the big screen and others not, but this couple definitely works. Works as in fireworks. Which brings me to the actors. Ruth Vega Fernandez as the beautiful tormented Mia, Lena Endre as the wise and caring mother, and Krister Henriksson as the-not-so perfect-that-it-almost-makes-him-perfect father are outstanding. But Liv Mjönes's portrayal of Frida is divine. It is impossible not to fall in love with those storytelling eyes, those quirky gestures and priceless renderings of trivial words like 'ja', 'absolut', 'precis' and, a little less everyday, 'vebab.' The amount of attention given to the subject of sexuality perfectly mirrors European present day society. Especially for the older generation, it's okay to be gay as long as you're far away. If it affects their inner circle, they will need to go through a small crisis before reaching the okay stage. All in all, it is still the case that, despite all the progress that was made, one cannot be gay without being explicitly defined as such. In short, 'Kyss Mig' is a wonderful film about love in contemporary European society. It is intelligently written and beautifully shot; a feast for the eye and balsam for the soul. Also, did I mention it has Liv Mjönes in it?

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