SYNOPSICS
Maigret Sets a Trap (2016) is a English movie. Ashley Pearce has directed this movie. Rowan Atkinson,Leo Staar,Shaun Dingwall,Alexander Campbell are the starring of this movie. It was released in 2016. Maigret Sets a Trap (2016) is considered one of the best Crime,Drama,Mystery,Thriller movie in India and around the world.
Over a five month period in 1955 four women are stabbed to death in Montmartre after dark, a prostitute and a midwife among them - women with nothing in common beyond being brunette. Justice minister Morel leans on chief Inspector Maigret to catch the murderer and Maigret sets a trap, using policewoman Marthe Jusserard as a decoy. She survives an attack, sartorial evidence leading to married mother's boy Marcel Moncin, whom Maigret arrests. However whilst Moncin is in custody there is a further murder and Maigret looks to Moncin's family to help solve the murders.
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Maigret Sets a Trap (2016) Reviews
Maigret Sets A Trap
Maigret Sets A Trap OK, let's address the reason you're reading this first: Did Rowan Atkinson rise above it all? Yes, he did - and in the process he completely divorced us from anything he had ever done in the past. It's possible that this worked well because he's an older man now and looks the part - it's more likely that he was simply masterful in making a dull and outwardly dispassionate character so captivating. The story itself is ludicrously simple... Maigret sets a trap! After five murders, Maigret is under pressure from all sides of Parisian society to capture a killer. At a dinner party he is inspired into creating a trap following a conversation he has with a criminal psychologist. The gamble pays off of course and at the end, a solemn, stoic Maigret walks off into the distance with a private wry smile on his face - a job well done. This is a drama... not an action movie. The cops have guns but no guns are drawn and not a single shot is fired. It will probably be agonizingly dull for young people. The scenery, photography, costumes, props and direction were beautiful and the movie was 100% traditional 'Noir' in every popular sense of the film world. The shadows and lighting, cars, streets, the brown... (lots of brown!), even the smoking and the hats... all Film Noir! The horrible 'incidental' music almost destroyed this production. There was no need for it at all, but there it was, loudly guiding us through each scene, each emotion and every minor turn of events. Hopefully the DVD version will have the option to play the movie WITHOUT this distracting, interfering and extremely noisy mess. Kill the music and you have the perfect TV movie. Well worth the wait and bravo, Rowan for leaving it all behind and being our new favorite cop... well, second favorite after Inspector Foyle? Time will tell.
Contemporary and exemplary
I will highly rate this film for several reasons. First, this is George Simenon, a 1st class writer. Second : Rowan Atkinson understood the role, the character and the script. This is a Filme Noire at it's best. The fact that it involves murder is of little consequence, this is about character portrayal, this is a look into the reasoning and understanding of the personas of people and their solitudes, their anguishes, their souls, their darker depths.. In my personal opinion Rowan Atkinson nailed Maigret in a contemporary format. He was subtle and did not overplay. My image of Rowan has completely changed, this man can act, he feels, sees and behaves his role..... But the film was not just Rowan Atkinson, it was an entire cast, it was a Mise En Scene as it should be... This is exemplary of what can still be done today outside of the glamour of Hollywood.. Living in France I have obviously seen the Maigret films and episodes and this film in no way undermines not fails the originals... Well done to the screen writer, director and cast for producing a down to earth and deeper portrayal of what has become customary, well done for taking a step aside and giving us something to watch that goes beyond the superficial... Although this will never become a classic, it is definitely worth adding to any repertoire...
Not great, but good enough. Welcome back, M. Maigret!
Well, I have seen the film. And I liked it. It's not a masterpiece and certainly not the best adaptation of Simenon I've seen, but it's good enough to entertain and satisfy those who missed watching Maigret. It succeeds in recreating the claustrophobic atmosphere of Simenon's novels, and even if the screenplay is a bit uneven at times, the overall result is very good. The production design is great, and Budapest looks perfect as Paris. The performances by the cast are all above average, but it's Rowan Atkinson who steals the screen every time he's on it. I've said it before and I'll say it again: his casting came as an absolute surprise to me, as I would never have thought of him as a possible Maigret. But the truth is he made the part his own. So much so that at a certain point I forgot the actor and saw only the character. Very, very good performance by Atkinson, proving he's much more than just a great comedian, he's a great actor. If you are looking for the best adaptation of this story, I suggest you get your hands on a copy of the 1958 french version "Maigret tend un piège", directed by Jean Delannoy and with the great Jean Gabin as Maigret (to me the best of them all, but that's me). But if all you want is to spend 90 minutes with Maigret and watch a well told and even better played story, then you could do worse than watch this one. I will certainly be looking forward for the next film in the series, "Maigret's Dead Man". Welcome back, M. Maigret!
Great impersonation of a great character
Maigret detective stories comprise just a small part of the immensely prolific Simenon's oeuvre. However, Georges Simenon is best known exactly because of the Maigret character. I've read Maigret stories since childhood, and early on I was fascinated not so much with the "clever" story lines and plots, but because of somewhat lazy and disorganized ways in which eponymous detective and his associates in general operate. This adaptation catches very good all the important traits of a Maigret novel. Dangerous and focused killer of women is on the loose in the Montmartre quartier, Paris is on the brink because nobody sleeps peacefully until he is captured, Maigret works hard but cannot find a breakthrough. His men know that nobody but him will find a murderer, but higher officials are asking for closure. So Maigret will have to embark on a dangerous cat and mouse game with the killer, in which other innocent lives will be put in danger. So far, for those not familiar with cool detective, nothing exceptional. But, everything is so Simenon, and so Maigret, that you enjoy the slow flow and unraveling of the many seemingly unimportant scenes and subplots in this very well crafted movie. There are poor and struggling families with small children that will loose their mother; there are inner courtyards where housekeepers lurk behind their curtains and labourers drag their tired feet. There are lots of basement wine bars with barrels and men nurturing their glass of wine, beer or cognac. There are lots of young hardworking women, all of them attractive in their cheap after war dresses and blouses. Some of them are telephone operators, some of them strippers and dancers, and there is entire police squad of brave young women ready to risk their lives on the dangerous streets of Paris, no questions asked. And of course, there are suspects, quirky aspiring upper middle class characters in their slick apartments, struggling to appear respectable but hiding terrible secrets. More hardboiled police officers, dungeons of Quay d'Orfevre full of shady alkoholics, drug users and other sinners. Journalists, thirsty of any information but some of them familiar of Maigret's way of operating. And, yes, in the middle is Maigret, the detective with his pipe who is never in hurry. Rowan Atkinson was somewhat surprising choice, but he did excellent work impersonating french detective. Recommendable!
I loved it!
Since this is my first Maigret I was impressed with the film. I think it is amazing how nice everything looks, especially the costumes and cars, the details are astounding! I can't comment on music, as I didn't even notice it, was too mesmerized by the image and story. Maybe some scenes were too long, but in general it was of a right length. I am a big fan of Rowan Atkinson, since The Blackadder series so I may be biased, but I really enjoyed this crime series. I remember when I was younger I even adored Murder She Wrote :)). Anyway, it's nothing like Cumberbatch' Sherlock, but it has it's own charm, I highly recommend it! I believe we can never have enough murder mysteries!! I'm off to watch Gambon's Maigret now, see what the fuss is all about! Cheers!