Matchstick Men (2003) Reviews

• A fine brew of psychological character and crime story. A-

  Quinoa19842003-09-15

  Ridley Scott and Nicolas Cage deliver some of their best and most intelligent work in a few years, even if Matchstick Men is not quite either's great contribution for this year in film. What they have done, from Eric Garcia's novel (adapted by The Griffins), come off rather entertaining, if anything else, and boasts much more thought than would usually be attributed to such a Hollywood film. Nicolas Cage, who plays Roy, part anxious/obsessive compulsive, part sly con man, and part father to a daughter he never knew he had, is a main reason to see this movie. His performance is on par with someone like Jack Nicholson in As Good As It Gets for watch-ability of a truly sad lifestyle, and while Nicholson's performance was and still is funnier and more charming, Cage gets so into his character, the little mannerisms that pop up more often than expected, that we feel for the guy even as his eyes get twitchy and goes over certain spots in his house like a detective. He may be the most believable obsessive compulsive/con man you'll see in a long while. Add then an outgoing, occasionally sneaky daughter (Alison Lohman in a performance that skillfully balances sweetness and irritability, sorrow and playfulness in a teenage girl) to the mix, along with a protégé-cum-partner (a cool Sam Rockwell) who has a love/loathe relationship Roy, and there's the map work for an interesting, if here and there predictable, drama/comedy/crime film. Along with the performances, which are all above average (Cage could be deserved of an Oscar nomination come February, and Lohman could deserve the win possibly), is the visual framework that Scott pushes in each scene. By getting certain camera tricks, and fantastic editing by Dody Dorn (of 'Memento' fame), the viewer can really get into Roy's head even in the smaller scenes, the ones that have little to do with the plot and only to do with the neuroses of Roy (there is even a little touch that I loved when Roy is waiting online early in the film at the supermarket, and the music in the background is an excerpt of the mental hospital music from 'Cuckoo's Nest'). This echoes the style that Scorsese used in Bringing out the Dead, also with Cage, in moving the film to get so into the mood that the story, no matter how intriguing and important, becomes secondary. Which brings me to my own personal beef with the movie, and that is the last fifteen minutes or so. It was clever, up to a point, but as it unfolded, no matter how much I was still emotionally involved with these people, I felt that the twists (I won't reveal them here) undermined a lot of the rest of the film. It will be based on viewer to viewer, but I just thought that it did a little too much to jab at Roy's lifestyle. And yet, when I walked out of the theater, though I wasn't sure I had seen anything spectacular, I didn't feel like I had wasted time and money either. Matchstick Men is witty, sometimes wonderful moviemaking.

• Welcome back, Nick

  itamarscomix2005-05-24

  A rather surprising turn for Ridley Scott there - probably the "smallest" film he's ever done, which harks back to Thelma And Louise than to anything else he's done in recent years (Gladiator, G.I Jane, Black Hawk Down, and back to Alien and Blade Runner). We have a very personal, up-close light drama here. Con artist movies have been swarming the theaters lately, but Matchstick Men is far more intelligent and more surprising, not to mention well-acted, written and directed, than Supercast films Heist and The Score. Nicolas Cage, after several years of B-action movies (Gone In 60 Seconds, 8 mm, The Rock, Face/Off...) makes a welcome return to what he does best - disturbed, neurotic, sensitive individuals (a comeback that got off to a good start on the schizophrenic Adaptation) - and delivers an Oscar nomination-worthy performance as con artist Roy Waller. Roy discovers a long-lost daughter, played brilliantly by Alison Lohman - also Oscar material. The relationship between the two is well crafted, and the story wonderfully written. Sam Rockwell also makes a fine contribution as Roy's partner. Elements of the plot may owe much to many other films - The Sting, perhaps Jacky Brown, and there's a bit of Leon (AKA The Professional) in Roy's relationship with his daughter, trying to balance a life of crime with a newfound family, and Lohman's performance is no less charming than that of Natalie Portman on that memorable classic. Worthy of praise is Ridley's directing, which proves he can make a small human theater piece as well as grandiose historical epics and sci-fi odysseys. The editing is wonderful, well visualizing Roy's condition and giving the movie an apt atmosphere. Overall, Matchstick Men is one of the freshest films of the year, and a very enjoyable watch.

• Wonderful 'Sting' Film with a Twist!

  cariart2003-09-12

  Anyone who thinks director Ridley Scott doesn't have a gentler side (after all, GLADIATOR, HANNIBAL, and BLACK HAWK DOWN are not exactly 'touchy-feely' movies) may be in for a surprise with his latest, MATCHSTICK MEN. The story of extremely neurotic but brilliant con man Nicolas Cage ("I'm not a criminal," he explains to his shrink, "Criminals hurt people; I don't..."), discovering a daughter he never knew he had (Alison Lohman, of WHITE OLEANDER), on the eve of a big 'Sting', offers as much emphasis on his acceptance of his new parental responsibilities as on the caper he and his partner (the always watchable Sam Rockwell) are pulling off. Cage plays the role brilliantly, making his quirky character sympathetic, and Scott proves again why he is one of Hollywood's premier directors. The success of a film like this depends on the chemistry between the leads, and Cage and Lohman are terrific together. The young actress manages to be 'sweet' without being 'innocent', and the tentative steps she and Cage take to understand each other are both believable, and touching. In one scene, he attempts to prove to her that he can cook by preparing a spaghetti dinner...after one bite, the scene shifts to the arrival of the Domino's delivery boy! Ultimately, however, MATCHSTICK MEN is a tale of 'The Con', and Cage and Rockwell's 'Sting' against 'fat cat' Bruce McGill, while appearing deceptively simple, has a series of twists and turns, leading to a climax that is both stunning and unexpected. This is the kind of movie that will have you putting pieces together, LONG after it ends. It is an intriguing and rewarding film, and shouldn't be missed!

• Nice change of pace for Ridley!

  supertom-32004-02-24

  The latest effort from Ridley Scott equates to Spielberg's latest, Catch Me If You Can. It is a nice, technically simple film that follows their more epic, effects, and set piece driven movies preceding them. Spielberg followed Minority Report and AI, whereas Scott is following Gladiator, Hannibal and Black Hawk Down. It is a nice and welcome change of pace for a master director, as CMIYC was to Spielberg. The film stars Nicholas Cage, who is making up for some lost years thanks to his role here and of course in Adaptation. Cage plays an obsessive compulsive con man who has an obsession of cleanliness and a fear germs and wide open spaces, and is hyped up on prescription drugs. Cage is superb here, it is a great performance, amusing and likeable. This is the sort of quirky character that brings the best out of Nic Cage. Co-starring as Cages partner in crime is the up and coming Sam Rockwell. I have been a fan of his since I first saw him in Charlie's Angels and then in his best role thus far in Confessions Of A Dangerous Mind. He was superb in Confessions and looks like he could be a top new star. Rockwell plays his character here with panache. Also starring as Cages daughter who turns up out the blue is Alison Lohman. Lohman is playing a 14 year old, who Cage has never seen and didn't know of at the start of the film. Lohman is much older in real life and so playing a 14 year is something she can do well but with the maturity and actress of that actual age may not have. Lohman is a lovely presence, she is charming and sweet and endearing to the audience, she is also a good young actress. The film is funny, charming and simplistic. It doesn't tax too much and is a quick and pleasant, much like junk food, only more good for you. I love it when Scott does his big epic and more elaborate films but this is a good change of pace, that Scott must have really enjoyed. It is something he could do with his eyes closed compared to say Gladiator. The film is well paced and there is a great twist that lets the film end on a real high. This is a good use of a great cast, and imaginatively edited. Overall a pleasing viewing. ****

• Sustained my interest throughout

  MovieAddict20162006-02-08

  Roy (Nicolas Cage) has some problems. He suffers from obsessive-compulsive disorder, panic attacks, and gets totally hysterical when people leave doors open, don't take off their shoes, get mud on his carpet, etc. He takes pills for the many problems, but he accidentally knocked them down the garbage disposal and is a big frantic mess now, complete with nervous ticks of the face and exclamations of "mmm..." at the end of his sentences. That's a problem that severely interferes with his job as a con artist. He's not a con man, he's not a rip-off man, he's a con artist, with added emphasis on the "artist" part. He views his job as a beauty, a sort of majestic way of expressing himself, but not really, that's a lie, it's just something that makes him sleep better at night. He hates his job because it makes him feel dirty. It's not fun ripping off old people or fat people, but he is a high school drop out, how else can he get a decent paying job? His partner, Frank Mercer (Sam Rockwell), is a bit more at ease than Roy. He doesn't seem to mind his job all that much. Roy, on the other hand, is turning into a complete nut, and after going to a recommended psychiatrist, he musters up the courage to confront his 14-year-old daughter, Angela (Alison Lohman), who is eager to escape her controlling mother and check out her long-lost big pop. The film has a lot of different stories going on -- the worry-wart who learns to put aside his nervous ticks, the long-lost father who reunites with his daughter, and the con artist who tries to give it up for a normal life. They all succeed as a story, but the film's only flaw is its wandering, which goes on far too long. Who cares (and I mean that as a statement, not a question). The film is one of the great entertainments of the year. It has twists, turns, and a big streak of enjoyability running through it. Nicolas Cage is on a winning streak. First 2002's Oscar-winning "Adaptation," now this (rumored to be entered into the Oscar race for 2004). Who would'a thunk it? Sam Rockwell ("Confessions of a Dangerous Mind") continues to impress, while Alison Lohman (a 20-something actress playing a teenager) shines and convincingly portrays exactly what the character needs. Ridley Scott ("Alien"), the infamous British director, uses some great camera techniques here -- filmed in a blue shade with lots of different camera flashes, he subtly forces the audience into Roy's head, especially during sequences when Roy is having little breakdowns and the people and objects around him start moving at warp-speed. I'll admit that I'm a big fan of con man movies because I find them amusing. But "Matchstick Men" is not really a con man movie -- it's a movie about a con man who has to cope with his job and private life. And a movie about a con man who finds he has a daughter. And a con man who gets conned. It's all enjoyable, and though the film is long, I never felt very bored by it at all -- it sustained my interest throughout its running time. That's rarer and rarer nowadays.