SYNOPSICS
Sauna (2008) is a Finnish,Russian movie. Antti-Jussi Annila has directed this movie. Ville Virtanen,Tommi Eronen,Viktor Klimenko,Rain Tolk are the starring of this movie. It was released in 2008. Sauna (2008) is considered one of the best Horror movie in India and around the world.
The Russo-Swedish War (1590-1595) has just ended, and new borders are drawn between Finland (under Swedish rule) and the Tsardom of Russia. Brothers Knut and Eerik are tasked with marking the border. They discover a mysterious village, built in the middle of a swamp. Within the village is a sauna, and the brothers hope it may wash away their sins.
Sauna (2008) Trailers
Same Actors
Same Director
Sauna (2008) Reviews
Like guilt, this horror sticks with you
Following the end of the decades-long war between Russia and Sweden, a group of soldiers from both countries is assigned the task of defining a new border. Among this group are Eerik and Knut, two brothers who couldn't be more different. The former is a vicious soldier who has been fighting his entire life, while the latter is a civilized collegian who came along due to his expertise in crafting maps. On a scouting run separate from the rest of the group, the two encounter a farmer and his daughter. Bad things happen and the brothers rejoin the expedition the next morning, but what transpired at the remote farm leads to severe feelings of guilt for Knut. He even feels that he's being followed. Continuing their trek across the barren terrain, the men eventually come across a mysterious town where no such place should logically exist. What's more, something seems very off with the inhabitants and, more importantly, with the sauna that stands just outside of the village's reach. I caught this back in early December on a cold, dreary night. As much as I despise cold weather, it actually made for a fitting atmosphere in which to watch this film. Not just because of the snowy locales or skies drained of color, but also due to the chilling predicament of the characters and the weight of the film's themes. Sauna is a picture that festered in my mind for a good while afterward. I didn't know what to expect going in, but I came out thinking that this was one of the most intriguing horror films I had seen in years. I bought the DVD shortly after my initial viewing, though I still have yet to revisit it. All these months later, it continues to pop back into my head from time to time. It has stayed with me in a way that only a truly haunting piece of work could. I intend to re-watch it when I feel that the timing is right, not before. The film boasts a strong period setting and some effectively unsettling moments (all about that first time Knut catches a glimpse of a figure across the swamp) set against a mood of pure despair. The characters here are as cold and gloomy as the atmosphere which surrounds them. The acting is resoundingly strong across the board, most notably that of Ville Virtanen as the bloodthirsty Eerik. His character is that of a murderous sociopath who has never known anything but war, yet Virtanen instills the part with a certain sense of empathy and regret underneath the seething hatred. We are also privy to cinematography that, while dark and drained of life, has an exquisite beauty to it. You really feel the chilled air right along with the characters. I'm still not sure that I fully understand everything that goes on in the film, but hey, half of the fun is speculating. There are numerous layers here to keep your mind busy with interpretation. Oh, and the ending is quite something as well! Alas, discussion around the web appears to be sparse when it comes to this title. If you like eerie, artistic horror, you owe it to yourself to give Sauna a shot. You may not care for it, as this kind of film will never be for everyone, but you will witness one of the more unique genre entries in many a year. All in all, it's a fascinating film that is rewarding in more ways than I can count.
Original, compelling and truly intense
I've been watching horror since childhood, and it has become a tiring, arduous task trying to find a flick that satisfies my elitist craving. I can't begin to tell you how happy (and genuinely frightened) I was to watch this. Everything about this movie is original. Set in 16th century Europe, the story's foundations are firmly planted in realism. The horror comes from masterful application of suspense, fear and dread that is gradually introduced in each scene. By the time you reach the climax you're paralytic; gripped by fear – eager to watch to the end but terrified by what may happen next. Having said that, this movie isn't for everyone. If you're after a bunch of over-sexed, blonde and artificially enhanced teenagers being hunted down by a knife yielding psycho – you're gonna hate this. If you're after fast-paced action, you'll be yawning throughout the film. If you're after a complex horror film marked by developed characterisation, a unique premise and set in an unfamiliar time in history, you will be pleased. This is a rare, horror film that focuses on atmosphere and restrained script-writing, resulting in a mature, sophisticated experience for the discerning viewer. Grab a glass of red and enjoy!
Excellent Contemplative Horror
Having premiered his debut feature "Jade Warrior" at Toronto in 2006, A.J. Annila returned with his second film "Sauna", yet another blend of two unexpected genres. He was originally approached to make the movie as a teen slasher-comedy, but thankfully the producers had enough faith in him to make a serious horror movie that would appeal to both the art house crowd and die hard horror fans. Sauna follows a group of Swedish and Russian soldiers who are assigning new borders after a decades long war between the two countries has ended. In this group are two brothers; Erik, the lifelong soldier who keeps a running tally of the innocent people he's killed, and Knut, the younger more pacifist brother who is part of the group because he is an expert mapmaker. After an unexpected encounter with a farmer and his daughter, the two are haunted by unshakable guilt as they continue with the expedition. The soldiers find a small isolated village in the very center of a large swamp, an eerie place where no children have been born in years and the old do not die. It seems almost as if God has forgotten them. With the discovery of the village and its solitary sauna, Annila builds on the horror aspects of the film and presents some genuinely scary images. The review on the TIFF website says the film recalls both Tarkovsky and Eli Roth, and I agree; Sauna is at once contemplative and terrifying. It raises questions about morality and guilt, and at the same time has scenes that are as scary as a Japanese ghost horror. The acting from Ville Virtanen and Tommi Eronen, who played the brothers, was superb. The cinematography was was also really beautiful. Overall, I feel like this is one of the best horrors of the last few years and it is highly recommended. 8/10
Finland showing cinematic muscles
Euro-horror is doing good business lately. France, Great-Britain and Spain are all battling on the front lines, but smaller countries like Belgium are producing splendid genre works too. Enter Finland, a somewhat cinematic void for me, showing their muscles with Sauna. A horror film that fairs well with its European peers but also succeeds in giving Finnish cinema a face, although a grim one. The film's premise is kept rather vague and for people not living close to Finland or familiar with its history the film might take a flying start. Two teams, one Finnish and one Russian, are sent out to draft a new border after a long-raging war. They cross the barren lands in order to fight a more civilized war in trying to decide who gets what. Even though the film is set a good 400 years back in history, it could've well been just 50 years ago. Not that the film looks too modern for its setting, it's just that the characters are never really surrounded by recognizable cultural references. Safe from a pair of glasses and the clothing, it's all swamp and unforgiving nature that is served to the audience. The two teams don't get along very well, but the one really stirring things up is Erik, a long-life warrior who has trouble adjusting to the new-found peace. Even though he wears glasses to fake a distinguished look, he is a true barbarian, murdering and abusing everyone coming across his way. The only one he seems to care for is his little brother, who was sheltered from the war as college student. The first half of the film is spent drawing out the relationships between the different characters, giving the audience some time to adjust to the happenings in the film. From the moment they arrive in an unlisted village in the middle of a swamp, the the core plot and the titular Sauna make their entrance. Sauna has a couple of things going for it. First of all there is the performance of Ville Virtanen, portraying the Erik character as someone that is simply terrifying. As simple as those glasses may be, they make him out as someone with a certain sense of civilization while in reality he is as bad as they come by. His performance is hard as nails and unsettling. The rest of the casts plays along nicely, although none of them really make a big impression. Visually the film is very consistent. Grey, dark colors and rough landscapes make up most of the visual scenery. No bright colors are seen, even the blood in the film is dark red, almost black. The camera work is solid too and helps in setting the atmosphere nicely. But even though it gives the film plenty of flair, there's never that little extra to make the film rise above its rivals. The soundtrack too is extremely fitting, with some very nifty sound deformations and good, supporting music. It has an ambient-like quality only furthering the grim and dark atmosphere of the film. As the film progresses the story is slowly revealed an even though the premise is intriguing, you'll be left guessing at least for a little on how it all fits together. The ending is somewhat vague and even though impressive, won't bring you any clear answers. Looking back at the film, it has a lot of parallels with Vinyan (even small details - just think of the shots of water becoming blood-soaked), though Sauna is a much more subdued film, without any real climaxes or cinematic bursts. Depending on what you like more, you might prefer this one over Vinyan which has more curves compared to the straight line that is this film. Nonetheless, Sauna is an impressive experience, solid in just about every department. Extremely strong lead, nice and fitting visuals, great soundtrack and intriguing storyline. And if you won't miss the climaxes, this will be exactly your thing. A recommendation for all fans of European horror out there. Just don't be expecting guts and gore, Sauna plays at atmosphere, grit and travels through the darker parts of the human mind. 4.0*/5.0*
minimalist, oblique, Shakespearean horror (interesting!)
Two brothers, part of a border-recognition treaty detachment after a very long war, confront and deal with the wartime acts of brutality and violence of the older brother. The older brother has been part of this war for 25 years; the younger brother has been studying to become a professor and has been comparatively sheltered from the horrors. The younger brother comes face to face with his older brother's moral deterioration, and, disturbed by the older brother's acts of war, eventually persuades (and forces) the older brother to completely atone for those actions. The amount of spookiness achieved with no special effects other than blood, is truly remarkable, and a lesson for Hollywood. And in the end, the viewer is left with an uncertainty as to who must pay for sins, and why, and whether anyone, ever, is truly innocent.