SYNOPSICS
Second Best (1994) is a English movie. Chris Menges has directed this movie. William Hurt,Nathan Yapp,Keith Allen,Chris Cleary Miles are the starring of this movie. It was released in 1994. Second Best (1994) is considered one of the best Drama movie in India and around the world.
Graham Holt is a lonely middle-aged man who runs a postal substation in a small village in England. He decides to adopt a son. James is the troubled youth he gets with the assistance of social worker Debbie. James has been in an orphanage for years since his mother committed suicide. He adores his outlaw father John, sent to prison not long after the mother's death. Can James learn to love Graham? Can Graham settle for being second best?
Same Actors
Same Director
Second Best (1994) Reviews
An excellent movie
I rarely write reviews for movies. And having seen the other excellent reviews, mine is hardly needed. But I stumbled across this movie and felt I had to comment on it. This is an excellent movie with wonderful acting, directing, writing, screen play, and filming. I saw the last 2/3 of the movie by accident and could not tear myself away from it. William Hurt and the boy actor (sorry - forgot the name) are thrown together by life's accidents and develop bonds for one another. The rough edges on each character are worn smooth as each accommodates the other and learns of the other's trials and humanity. The acting is superb and rarely gets in the way of the content - more to the point, the acting complements the story well. But what makes the movie special is the character development. The writing, directing, and screen play successfully convey the existential experiences of the actors as they develop and react to one another. A good song, a good poem, a good book - are made special if they are accessible - if they evoke within you the ring of truth and personal history. This movie communicated with me extremely well on a personal basis, on many plans at the same time. Every element of this film was well crafted. The movie is cerebral and touching - with very few rough edges. I couldn't recommend it more highly for an adult audience.
As a Father's Day gift: The Best and Second to none
David Cook, author of the novel of the same title and also involved in the film, is known for his sensitive and probing treatments of characters marginalized in society. After seeing the film, I made a point of searching for the book, and at long last spotted a "galley proof edition" in a used bookstore in Oxford. The picture is faithful to the novel-- if anything, excessively so. Much dialogue is reproduced intact. A number of small incidents and gestures which seem inconsequential or puzzling in the movie were revealed as symbols or evocations of episodes which the book had fleshed out. Directors themselves so immersed in every detail are at risk of assuming too much understanding from the audience, depriving them of just another few words, or a brief camera close-up, which would have put a point across coherently. But these are quibbles, for there is enough depth and quiet eloquence left here to call for a rare ten stars out of ten. This is the story of an unlikely relationship which succeeds as the mutual balm for unusual wounds. The man Graham and the boy Jamie both suffer profoundly from separation from their fathers-- physical separation in Jamie's case (his adored dad is in prison), emotional in Graham's. Each discovers that the other cherishes the memory of just a few days of filial closeness, shattered shards of supreme bliss sparkling in the dismal landscape of their emotional lives. Yet not only does Graham, a candidate to adopt Jamie, lack the primary qualification for a stepfather: a wife. He is a shy nerd with no obvious charisma whatsoever for a hyperactive, street-wise, cynical kid. But traumas in his past have stamped this boy with a vehement misogyny. As little as he fancies anyone presuming to take his father's place, he craves having a stepmother even less. Graham's bachelorhood is a relative advantage. Graham proves himself gradually with humility, honesty, and a quality of unfailing respect for the person struggling underneath Jamie's sullenness which one can only describe as reverence. A "special-ed" teacher of my acquaintance called Jamie (and Chris Cleary Miles' passionate characterization) very realistic, and pronounced Graham (as brought to life masterfully by William Hurt) "a genius" in his approach to the developing relationship. While some will complain that this film drags, others will value its quiet atmosphere in which heart-codes are patiently decrypted. The more important the dialogue is, the likelier it is to approach whispers. One crucial central scene, barely audible, as the haunting strains of the score's "rift" theme echo away more faintly still, never to be heard again, must be one of the tenderest moments ever captured on celluloid. Perhaps Graham has been plagued by a touch of agoraphobia. The cinematography deftly suggests this world view: interiors of small rooms, fussy wallpaper, obtrusive props, brilliant curtains covering the windows; exteriors somehow painting scenes of ravishing beauty with brushstrokes of vague terror. Graham Holt is an unlikely hero, but a true one. If more people treated one another the way he does, the world would be a better place.
Well done!
This is a moving, touching film. For me a little bit frightening too. In the real world there are some people, who behave like Holt. (Unimportant, but funny that the word "Holt" means Dead in Hungarian which is my first language.) This movie is like a therapy, an advice for unhappy, lonely people. A believable film is a great pleasure nowadays, but if you meet your own life face-to-face in a script, well... it's pretty scary. If you pay attention good enough, it changes your life! Thank God for this film!
Remarkable
Paul wrote a beautiful review with the proper amount of reverence towards what is in our culture almost a sacred subject, the father son relationship. This is the story of two such relationships, each one gone bad, and how the two survivors find the solution in each other and could find the solution in nobody else. The filmmakers also had a problem which needed a solution and found that in the cinematography, direction and marvelous acting and casting (several actors for each character at different ages) and music you'll remember long after the lights go up. Because it's such a small scale picture I would only give it a 9/10 and BenHur and Laurence of Arabia get a 10, yet they're no better, only bigger.
A very moving and well acted film. Slow moving but real.
William Hurt is very believable as a west country postmaster and the adoption process is taken apart in a sympathetic and believable manner. The film has charm and pace while dealing with a difficult subject. If it were to be made now would there be a different emphasis in the light of current obsessions with protecting children from paedophiles?