SYNOPSICS
Stay (2006) is a English movie. Bobcat Goldthwait has directed this movie. Melinda Page Hamilton,Bryce Johnson,Brian Posehn,Geoff Pierson are the starring of this movie. It was released in 2006. Stay (2006) is considered one of the best Comedy,Drama,Romance movie in India and around the world.
An impulsive sexual encounter from her past haunts Amy, an otherwise seemingly normal young woman with a bright future and nice-guy fiancé. But her fiancé has suggested that the couple be completely honest and tell each other everything! When Amy finally relents, encouraged to tell the truth by her coworker and mother (neither of whom really knows what she has to disclose), and reveals her secret, all hell breaks loose.
Stay (2006) Trailers
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Stay (2006) Reviews
Some things are meant to stay secrets...
This was my first Sundance Film Festival movie. It was surprisingly funny...the acting was great and it was refreshing to see an original story...and this one has definite shock factor. Bob Goldthwaite definitely has a twisted mind and braves bringing it to the screen. If you get the opportunity to view this movie...go for it. However it most certainly is not for young people. The conservative will need to be willing to open their minds to a sense of humor even though acceptance will be an impossible feat for pretty much anyone. The irony of the movie is how real the fear of exposing your deepest, darkest secrets to anyone, including the person you are closet to and love most in the entire world. I still say....some things are meant to stay secret!
An unusual film
You fall in love. You know, you get that really special feeling, an amazing connection . . . ? "This could be the one," you say, "I feel I could tell this person anything." Total love, total honesty, total forgiveness. Unconditional. Not!! Don't see this film with your fiancé, see it on your own . . . Sleeping Dogs Lie is not standard rom-com, a tidy melodrama, or a gross-out comedy. It second-guesses the audience with its unconventional examination of relationships and the ideas we maybe too easily take for granted. Like the emotional headbanger movie, Closer, you will perhaps want time to think of the answers to give your beloved before they ask questions based on this movie. The best time to analyse relationships is when you're not in one. The second best time, as our intelligent, pretty, 26yr old protagonist discovers, is when you're learning from your past mistakes. Amy (Melinda Page Hamilton) is fairly sure that John is the guy for her. They reach the, "Tell me something you've never told anyone else" stage. Yes, we're talking sexual things. But not on screen - just verbal and emotional. Trouble is, Amy is worried John won't love her if she tells him of her dark teenage misdemeanour. If you have done something bad, that didn't hurt anyone else, you didn't intend any harm, and no-one found out, is telling your other half part of that 'total honesty' equation? Sharing feels good (selfish, but OK). Telling them before they find out from someone else is probably good tactics (selfish really, from fear, or at best protecting trust). But love for the other person isn't technically part of it. Not that you believe that. Amy goes for trial and error. John gives her a 'skeleton' and she wimps out. She gives him a made-up confession that he finds a turn on. For now. When someone else finds out it might be accidental - but it can come back to haunt. Honesty involves more than intellectual decision. What if your mind 'forgives' someone but your sexual urge doesn't? And if you get the moral high ground, will that tempt you to lie so as to keep it? The film's resolution works on a 'minimising hurt to others' idea, which is quite convincing. Am I going to tell you Amy's secret? No - cos if I do, it will give you the wrong idea of the film, and it's in the first reel anyway. This is a low budget movie ($50,000) that was very well received at the Sundance and San Sebastian film festivals. Acting is excellent, but the characters are not always very rounded and it is too uneven, uncategorisable a film for general viewing. Audience distance is made even greater by use of techniques like contrasting music ("When You're Smiling"' plays as they drive through miserable silence). I was about to get bored with it, but was already wondering if it was taking an avant-garde approach rather than being just an amateurish mainstream film. It comes very close to the bone when characters 'demand' that the object of their 'love' is 'honest' with them. (Do you have the right to insist on information about that part of someone's life that doesn't concern you?) The dilemmas are reflected into other relationships. Amy has to attend a funeral (she has fallen out with her Father - "I need you to love me, Daddy"), and needs a cigarette. "I didn't want you to know I knew," her father says. Sleeping Dogs Lie may seem slapdash or tedious if you don't buy into the cerebral and emotional challenge. If you do, you may find it, as I did, quite edifying as well - as heartbreakingly poignant.
Twisted yet Sweet
I saw this film in a preview screening presented by Bobcat Goldthwait. He was incredibly funny as he talked about the hassles that he had to go through to get this film made. It was definitely worth it. This film really cuts to the core of human relationships. It deals with love fidelity, and the value and pitfalls of secrets and honesty. Yes, it challenges society's mores, but in a sweet and very funny way. The casting and writing are both fantastic. The only major drawback is the graininess of some of the digital photography. This film may end up being portrayed as a gimmick movie, but that is really an afterthought to the humanity of this fine film.
If you can get past the first act, this is a well done film
The opening scene might be quite disgusting and disturbing to some, but if you can get past that, the film is actually enjoyable. (I am not going to disclose the nature of the act, even though I see now that my local paper has given it away!!) Let's just say that the title takes on a double meaning after you see the opening act.*NOTE: now the title is "Sleeping Dogs Lie." When I wrote this, it was called "Stay." I was one of the lucky ticketholders who got to see this at Sundance...Bob Goldthwaite was at our Salt Lake screening, which we appreciated very much (many filmmakers don't bother with the locals). He warned us before the show started that people may want to walk out at the beginning; and to be honest, I may have left had I not heard him talk about the movie first. One of the things I liked about the movie is that it acknowledges throughout that "the act" is wrong and sick, not socially acceptable, and hard to get past. I am very glad we stayed. I appreciated so many things about this film. The script was very well written, and the story was compelling. Amy's parents are not portrayed as buffoons, even though they are conservative; her mother especially is shown to be very human and forgiving; her father is perceptive and caring. Goldthwait didn't just go for cheap laughs; this movie actually has something to say. This movie isn't really about the sexual indiscretion, it's about the nature of "truth" and whether or not people are entitled to know ALL of the bad things you have ever done. If a person has moved on, changed their ways, etc. etc, then some things are better left unsaid, and this movie illustrated that beautifully. If you can get past the first scene (which actually leaves the "act" to the viewer's imagination!), it's really a very well done and surprisingly sweet film.
Quaint
A cute little indie film with an emphasis on family. Of course, most families have their dark sides, and sometimes those dark sides are worth laughing at. Its good to see something so original coming out of Hollywood, with so many blockbusters to compete with, a little indie yarn is a welcome change. There are, of course, a number of so-called "family groups" that will try and tell you that this film promotes lewd sex acts, drug use, infanticide, and an Elektra complex to boot, but as is often the case, anyone who says this and believes it to be true has probably been out of touch with reality for a little too long. As it goes, the film is easy to watch, darkly funny, and yet remarkably fulfilling. I say its worth the rental fees, even if they did have to remove that Dandy Warhols song.