SYNOPSICS
The Happy Prince (2018) is a Latin,English,French,Italian movie. Rupert Everett has directed this movie. Emily Watson,Colin Firth,Rupert Everett,Colin Morgan are the starring of this movie. It was released in 2018. The Happy Prince (2018) is considered one of the best Biography,Drama movie in India and around the world.
In a cheap Parisian hotel room Oscar Wilde lies on his death bed. The past floods back, taking him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross, who tried and failed to save him from himself. Travelling through Wilde's final act and journeys through England, France and Italy, the transience of lust is laid bare and the true riches of love are revealed. It is a portrait of the dark side of a genius who lived and died for love.
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The Happy Prince (2018) Reviews
Rupert's Oscar is Oscar gold!
A solid biopic about Oscar Wilde with a terrific Rupert Everett in the leading role. A great transformation not only physically but also his whole mechanisms as an actor are totally redefined. I would not be surprised if his performance as legendary poet and playwright Oscar Wilde will actually get him Oscar attention next year. Its definitely a performance they soak up and adore. The film itself was fine, but nothing to write home about. I had some troubles with Rupert Everett's direction actually. It could have been better set up and the narrative was a bit weird at times. Performance wise it was not only because of Everett's undoubtedly great performance good. Emily Watson shines as his estranged wife but I had hoped she would have more screen time as she really lived that character and although the screen time was limited she really shined in all of her scenes. Colin Firth was good as well and took care about some comedic relief in a at times too dry biopic. The score was good and the cinematography fine - offering a lot of beautiful sceneries. Definitely worth to check out for the performance and if you are a fan of Wilde himself as they depict him and his work and language just well.
Everett's Oscar is an Oscar-worthy performance
Rupert Everett was born to play Oscar Wilde, at least the older Wilde, (Everett is now 59). I'd already seen him play Wilde on stage, magnificently, in David Hare's "The Judas Kiss"; now he has written and directed the film "The Happy Prince" which deals in large part, (it's mostly told in flashback), with the period after his release from Reading Gaol. He, of course, takes on the role of Wilde once again and gives the kind of performance that should get him an Oscar of a different kind. This is no vanity project but one full of passion and love of his subject. He gives us an Oscar that is vain, glorious and in the throes of the most terrible pain; this is an Oscar warts and all. He dominates every frame of the picture but has also assembled a superb supporting cast. Both Colin Morgan as Bosie and Edwin Thomas as Robbie Ross are splendid but so too are Emily Watson as Constance, Colin Firth as Reggie Turner, John Standing as his doctor and Tom Wilkinson as the priest who gives him the last rites. These may amount to nothing more than cameos but what glorious cameos they are. This is an actor's piece and no mistake. However, for a work that is primarily literary and for a first-time director Everett also displays a very keen visual eye. This is a handsome period piece but far from a stuffy one. Everett manages to capture the flavour of Oscar's rise and fall beautifully. Here is a film that is heartbreakingly sad and strangely uplifting at the same time, a real testament to Wilde's genius, (it's certainly the best Wilde movie to date), and one of the best LGBT-themed films of recent times. Unmissable.
Acting masterclass
This was an absorbing tale largely because I hadn't a clue about Wilde's last days. The acting was excellent, each actor delivering a completely believable naturalistic turn. Despite the great support acting if the lead, Rupert Everett ( almost unrecognisable) hadn't been so completely absorbing it could have been dire. He was remarkable, managing the multiple tones and moods Wilde goes through. A tale of sadness and joy and redemption. Such an interesting movie.
Oscar Wilde's 'afterlife' - bravo, Rupert Everett
There have been three excellent previous screen versions of Wilde's fall from grace, but THE HAPPY PRINCE outshines them all. Pre- and post-Fall are interwoven. Oscar tells 'The Happy Prince', his dark (Grimm) fairy story, to his children in flashbacks from Paris, where he also tells it to a couple of street kids who have become the children of his exile although the older brother is also his rent-boy. Bloated and dishevelled, the old Oscar still has the appetites which sent him to prison. And he still loves Lord Alfred Douglas, who joins Oscar in a villa in Naples (with more rent-boys) in Naples for a few bickering months. Robbie Ross (Edwin Turner) and Reggie Turner (Colin Firth) are the last London friends who offer loyalty and handouts. Everett's Wilde is as poignant as Stephen Fry's but even more pitiable as poverty and ill-health overcome him. Colin Morgan gives 'Bosie' his prettiest incarnation since John Fraser in 1960. Emily Watson shines in brief scenes as Oscar's wife Constance, also forced into exile by his disgrace. Tom Wilkinson contributes a vivid cameo as the priest brought to Oscar's hotel deathbed. The famous lines about the wallpaper and 'dying beyond my means' are not forgotten; and Everett has scripted a few one-liners Oscar would happily steal the credit for. The final scenes almost certainly take liberties with the facts, but they add an operatic grandeur to the 'Last Act'. Rupert Everett's long struggle to realise this project is a splendid homage to the tragedy of the 'comeback' that was Wilde's greatest drama, his greatest tragedy. The movie deserves to be garlanded with awards: an Oscar for Oscar!
Fails o Ignite
Sorry to dampen your spirits. I wanted to like this film a lot but it fails to excite. Fails to ignite and in the end feels like a muddled wet blanket excuse for a movie making experience. Hey, the scenery, the camera work and attention to detail is great. Very evocative. The actual story and editing is less so. It strikes me as the type of film a real enthusiast for Oscar Wilde would make as a homage to the man and then struggle through heaps of revisions and funding cuts and criticism from various studios to get it made and then at the end - prove that the critics were right. It's not very good because the writer's vision splendid didn't really cut through or know what it sought to portray except to say - "I love Oscar Wilde!" Because in the end, we as passive viewers don't really care about Oscar at all. Towards the end of the film, I turned to my wife and whispered to her that this film despite its best impulses, actually damns Oscar Wilde as a self indulgent narcissist. A prat by sheer accident. I don't think that was the intention of the film-makers! She agreed. No real insight to the creative spirit of the man and she lost interest and went to bed. The trailer looked terrific but the movie despite it's best endeavours to immortalise the man - actually makes you lose all sympathy for him and strangely you feel unmoved by his predicament at the end.