The Net (1995) Reviews

• A great techno thriller of the 90s

  nadinesalakovv2018-07-24

  "The Net" is a great movie, still very watchable to this day. The story line can get confusing, but that is where Rewatching comes in. Some movies are like that, you have to Rewatch to understand the plot fully. Even though the technology compared to today seems stale back then, it still somehow works out because technology is constantly becoming advanced. We see "Angela Bennett"'s life go into turmoil after getting her hands on computer information. We see that she is a clever tech nerd, but is very naive on the social aspect which resulted in her almost getting killed on holiday. "The Net" is a fast-paced riveting hi-tech thriller. Sandra Bullock carries the entire movie on her back very well. She is a strong main lead and the supporting characters are also very good in their roles. I'd say the only other main character is "Jack Devlin" (Played by Jeremy Northam) he is also good in his role. "The Net" is a cat and mouse game/clear my name/bring justice type of thriller. I would put this next to another brilliant movie of this genre - "AntiTrust", although it is not as well known as "The Net" it is just as good.

• 'The Fugitive' Meets AOL

  The_Centurion2012-12-30

  Nostalgia may play a large part of my positive feelings towards this film as I watched it repeatedly on video with my younger sister as a teen. Back then "the net" was a new and largely undiscovered frontier, and this film romanticized hackers and the seemingly mysterious world wide web. I would liken this to a less ambitious version of 'The Fugitive', a film that released two years prior (and by most accounts a superior thriller). Much of what happens in the course of this film is standard fare, but it is presented with a semblance of realism and never seems to hit any lulls or real snags in rhythm despite the frenetic pacing. The plot isn't entirely plausible or devoid of clichés, but it remains interesting from start to finish, and Bullock carries the role well. There are scattered scenes that show astute directing on the part of Irwin Winkler, though some of the secondary characters give uneven performances. However, Bullock does an admirable service at depicting a frumpy insular woman uncomfortable with her own sexuality and outer beauty. Her character is both resourceful and vulnerable at once, and it's a fresh pace to see a female lead with some layers to peel back in a genre dominated by men. Dennis Miller is very likable in his role, and ably acts the part with a more downplayed version of his real life persona. He was my favorite character by far and brought a lot of warmth to the role. I'm usually very critical of any movies I see, and am generally turned off by standard Hollywood fodder, but there is a certain charm to 'The Net' that I can't deny. I liked it in '95, and I like it again almost twenty years later. Like visiting an old friend, there's a familiarity to it that is so hopelessly 90's and so reminiscent of a bygone era--the inception of the internet age--that it carries a certain weight to me unmatched by the multitude of forgettable popcorn thrillers of the decade.

• Very well done and thought out.

  jww-32005-04-10

  If you're actually reading this review, I give you a lot of credit. You care enough to actually look up this movie, which most people have forgotten about and then cared to read beyond the first review! So for your reading pleasure... I'm assuming you know the plot line already so I won't waste time typing that out. I will mention that Sandra Bullock did an amazing job with this movie. She really brought a lot of sympathy to the role of a computer programmer, often difficult to do. I can say this because I happen to be a computer programmer. Anyway, I thought the basic plot was a very good one. You can easily build sub-plots upon its mainframe and turn it into a very enjoyable movie. The premise is also scarily realistic in that this can all really happen if the right precauctions aren't taken. To make a long review short...oops! Too late! If you enjoy Sandra Bullock bringing a role to life and want to see a very well made movie for the time, take a look at this little gem. You won't be disappointed. :-)

• Cyber-thriller has a few internal glitches, but it keeps on running.

  emm1999-02-17

  This isn't a bad movie thriller to keep you off the Internet for two hours, but can you take the risk? THE NET sounds unconvincing since our love of computers and cyber-sputting expresses what the story is all about, and a possible fad to recognize. Thankfully, it does attempt to bring some raw suspense that is head-and-shoulders above other lame films that contend to "artificial communication". Once again, Sandra Bullock knows how to keep her fans happy, and even though it's no "chick-flick", she's still the likeable character inside. This time, she's stalked in a game of cat-and-mouse and becomes ruined by an identity crisis. Even with the brand new concept of cyberware, that's just normal for a suspense thriller. An old, traditional "chase" plot gives the movie a blip on the screen, but the story is greatly paced and exciting enough to increase your pulse rate to rapid highs. The computer mess is the biggest fuss some viewers will have in common, including all those not used to this new style. A good shot at a modernization of mystery-suspense films, but you know exactly what to predict here. Why the new TV series?

• 25 years ago this would have been science fiction. Today it's cliché.

  Anonymous_Maxine2004-07-25

  Odd the way technology works. Less than a decade ago, there was this completely different technological world, a world of pagers, floppy disks, dial-up modems (which are as obsolete as typewriters), and gigantic brick-like cell phones. I remember being amazed at that little tiny flap at the bottom of the phone, as thin as a credit card and yet able to pick up your voice and transmit it through the air. Now it's a feature so obsolete that it may as well never have been there. Sandra Bullock plays Angela Bennett, a lonely computer analyst who is so connected to her computer that she sits on the beach in Mexico, on her first vacation in six years, with her laptop on her lap. It's not only like a source of nourishment but her connection to the world and the establishment and maintenance of her identity. This is where her problems begin. Like The Manchurian Candidate back in the 1960s (and again in less than a week from this writing), The Net plays on the popular fears of the society in which it is released. The Manchurian Candidate originally played off the fears instilled in people by the recently ended Cold War, while The Net, a much less potent thriller, suggests the scary possibilities of a world in which we are so inextricably connected to computers. Probably the most interesting thing in the movie now is the computers, such as the massive laptops with the tiny screens, the indispensable floppy disks which are now almost nonexistent, the graphics, etc. Angela Bennett has had her digital identity stolen and replaced with that of Ruth Marx, who has a lengthy police record and who thus takes over Angela's identity. It's pretty clever, I suppose, the way the movie presents Angela as though she hasn't left her apartment in six years and with a mother suffering from Alzheimer's (and thus not able to help identify the real Angela later), but it's pretty hard to believe that not a single person in the office where she worked noticed that Angela started being a completely different person. She had no significant other, was not dating, and no parents who could identify her, but was she such a recluse that even the people in the office she worked in didn't even know what she looked like? At any rate, the plot of the movie is pretty smartly created, although it is created as though it were an excuse for a lot of chase scenes, one of which takes place on a merry-go-round in a great homage to Hitchcock's Strangers On A Train, one of the many classic films to which the movie alludes, several of them other Hitchcock films. Bennett has been given a disk which contains a website, I suppose, which turns out to contain a weakness in a security system about to be set up to protect everything from banks to Wall Street to the CIA. By holding down Control and Shift and clicking on the little Pi icon in the corner of the screen, you are transported from a ludicrous page about Mozart's Ghost, apparently a god-awful metal band, and into highly classified government documents. The disk provides the bad guys with a reason to want to capture Bennett, and thus you have a movie. Angela goes from a comfortable but bored computer analyst, doing a lot of her work from home and ordering pizza on the Internet at the end of the day (presumably one of the future possibilities of the internet which never came to exist), to a wanted fugitive, ultimately caught and put into a jail cell for someone else's crimes. She has lost her home, her job, her identity, her life. Bullock actually puts in a pretty good performance in the movie. I'm not a huge fan, but I appreciated the realness that her character had, since she is not an over the top actor, her characters are generally very real because she is as well. Where the movie trips up is that it tries to suggest that such identity theft could happen to anyone in our technological age, but given the effort put into presenting Angela as someone with no personal contacts with just about anyone, really it could only happen to someone like Angela, and are there really that many people that no one can identify by looks? Even the guy at the local video store might recognize her as the lady who rents under her account. Oh well. There's also a glitch in the end of the movie that Mick LaSalle points out and that only people familiar with San Francisco, where the climax of the film takes place, will notice. As Angela rushes through a Macintosh exhibition at the real Moscone Center, she desperately tries to copy all the computer files before the bad guys get her. Pretty tense, but if she had been smart, she could have gone to The San Francisco Chronicle office, which is a block down the street from the Moscone Center. But hey, maybe the Chronicle doesn't have high enough walkways out back.