Time After Time (1979) Reviews

• A Fun Twist on H.G. Wells' "The Time Machine"

  imddaveh2001-10-29

  Often overlooked, "Time After Time" is probably one of the best time travel movies (if there is such a genre) ever made. The time travel effects are cheesy and mercifully few, but the film puts story and character way above visual effects, making for a good trade off. Malcolm McDowell is H.G. Wells who, in this movie, actually invents a time machine rather than just writing about one. "The Time Machine" is told in flashback as "the time traveler" emerges from his time machine and recounts his adventures to a gathering of friends at his home. "Time After Time" borrows that scene from the book, having Wells announce that he has built the time machine and will embark on an adventure to the future utopia as soon as he works up the nerve. The proceedings are interupted by police at the door conducting a search in the wake of a new attack by Jack the Ripper. As it turns out, one of Wells' guests, Dr. John Leslie Stevenson (played by David Warner), is the Ripper. While the police comb through the house looking for him, Stevenson makes his way to the basement. There, he enters Wells' time machine and escapes to the future. Feeling responsible for having turned the maniacal Jack the Ripper loose on the future utopia, Wells enters the machine (which returns to it's point of origin unless a special key is used) and follows Stevenson 90 years into the future. The time travel sequence consists of cheesy optical effects accompanied by a clever audio montage that depicts most of the 20th century. Wells emerges from the machine shocked to find himself in San Francisco, California in the year 1979. The time machine, as well as most of his possesions, are on display in a San Francisco museum. While searching for Jack the Ripper he meets Amy Robbins (Mary Steenburgen), a foreign currency exchange officer at a bank. She reveals that she exchanged very old pounds for dollars with another Englishman, wearing similarly antiquated clothing. This leads Wells to find Jack the RIpper, now decked out in 70s threads, well integrated into modern society...and continuing his fiendish deeds. From there, the movie engages the audience in Wells' and Robbins' pursuit of the Ripper through the streets of San Francisco with an entertaining mix of close-calls, sly humor, and the inevitable romance between Wells and Robbins. Malcolm McDowell plays the part of H.G. Wells with his usual intensity and skill, and comes off as very believable. Mary Steenburgen is well cast as the feminine but strongly independent bank employee, and is adorably frail but surprisingly tough. As for David Warner....well, villians don't get much better than Warner. A fine actor, Warner plays Stevenson/Jack the RIpper as a cool, sophisticated psychopath - exactly, in my humble opinion, as Jack the Ripper should be played. "Time After Time" makes good use of artistic license to integrate fact with fiction. Scotland Yard has always suspect that Jack the Ripper might have been a surgeon, as he is in this film. Also amusing is the fact that in real life, H.G. Wells did marry an Amy Robbins who was an outspoken feminist. All in all, 'Time After Time" is a well written and acted romantic adventure, and remains one of my favorite time travel movies.

• Highly entertaining movie with a tense story.

  Boba_Fett11382005-08-02

  "Time After Time" was one of those movies of which I didn't even knew it existed. It certainly is a movie that deserves more recognition for this movie truly was one of the most entertaining movies I have seen in a while. The story its concept is already one factor why I liked this movie so much. In the late 19th century The scientist H.G. Wells (Malcolm McDowell) has build a time machine which his good friend John Leslie Stevenson aka Jack the Ripper (David Warner) uses when the police has just discovered his true identity. Ripper travels to the year 1979 and Wells, who feels responsible for his escape to the in his eyes future Utopian society of 1979, follows him to the future, in an attempt to catch him and bring him to justice and prevent him from making more victims in the future. I highly enjoyed this original story and concept and thought that it was perfectly executed by talented director Nicholas Meyer, who made his debut as a director with this movie. After this he made two more well known and widely appreciated Star Trek movies; "Star Trek: The Wrath of Khan" and "Star Trek VI: The Undiscovered Country" which by the fans are often regarded as the best in the series of Star Trek movies. The movie has a fantastic and typical '70's atmosphere which I always adore in movies. It's also filled with some typical '70's tense chase sequences, which are brilliantly filmed and edited. The cinematography itself is also at times refreshingly original, especially the perfectly done opening sequence of the movie in which Jack The Ripper makes another victim. But the movie isn't just tense and original, it also is highly entertaining and it features some good humor. Of course having an 19th century main character who for the first time takes a look in the future 1979 is already good for some laughs. Such as the time were he visits a McDonald's or comes up with the fake alias Sherlock Holmes when he gets in contact with the police. There are countless 'little' fun parts like this in the movie which makes this movie a pleasant and entertaining one to watch as well as a tense nail biting thriller. Malcolm McDowell is extremely good and convincing as a 19th century gentleman and scientist H.G. Wells. Honestely he plays his best role since "A Clockwork Orange". David Warner is also perfectly cast as Jack The Ripper. He's a perfectly scary and mysterious gentleman. Warner is perhaps well known to everyone for playing Spicer Lovejoy in the 1997 movie "Titanic". The movie also features a at the time still very young Mary Steenburgen in one of her very first movie roles. She also was superb and the talent was already showing. One year later she even already won an Oscar for the movie "Melvin and Howard". The movie further more features a highly good and underrated musical score by well known Hungarian composer Miklós Rózsa. This movie is terribly underrated in terms of how well known it is. This movie deserves to be seen by everybody for this movie is an entertaining one as well as a tense thriller, with some excellent performances by the cast and good directing by Nicholas Meyer. 8/10 http://bobafett1138.blogspot.com/

• A Fascinating Time Trip

  EmperorNortonII2004-07-17

  "Time After Time" is an interesting movie. It has the legendary H.G. Wells chasing Jack the Ripper through time, from London in 1893 to San Francisco in 1979. Wells is played by Malcolm McDowell, as a young idealistic visionary and scientific genius, who looks upon the future as Utopia. (How many movies can you remember where McDowell was the good guy?) Jack the Ripper is played by David Warner, who exudes something cold and frightening as the infamous killer. While the future hardly turns out to be Wells' imagined Utopia, Jack embraces the prevalent violence of the 20th century. In "From Hell," Jack the Ripper said he had invented the 20th century. "Time After Time" gives that statement a kind of significance. The movie may not offer much to the many theories surrounding the Jack the Ripper mystery, but it's still enjoyable.

• Timely and Credible

  Lechuguilla2004-12-11

  Looking like a nerdy Richard Thomas, Malcolm McDowell plays H.G. Wells in this highly imaginative sci-fi thriller, that has Wells fast forwarded from 1893 to 1979, in a quest to find Jack the Ripper. The film's screenplay, direction, cinematography, editing, and costumes are all top notch. And Mary Steenburgen gives a fine performance in a support role. "Time After Time" has an ever so slight comic book, tongue in cheek, feel to the plot, suggestive of Batman and Robin. Yet, right behind this entertaining, if somewhat superficial, facade is a serious message that is both timely and credible: no matter how much society advances in its technology, our world will always have two things ... violence and love.

• A rare science fiction gem

  Spleen2003-03-22

  This was a childhood favourite of mine (I think I was ten), and it was a pleasant surprise to see it again as an adult (properly this time, on the big screen) and find it really was as good as I'd remembered and hoped. I'd never have guessed that this was Nicholas Meyer's first time as a director. He was fortunate in his talent, of course, having himself as a writer, Miklós Rózsa as a composer, and Mary Steenburgen and Malcolm McDowell both convincing and enchanting us as the two lovers (McDowell, in particular, hits the right notes so perfectly that when you see him plead, with tears in his eyes, at the end, you feel the urge to do the same thing yourself). An earlier writer regretted that Meyer didn't have his hero travel back in time in an attempt to prevent Jack the Ripper's crimes before they were committed (and even went so far as to blame this "failing" on the absence of CGI!), and I suppose that if I'd been a fan of incoherent cliché, I would have been disappointed, too. But this is a film, thank goodness, that takes itself seriously. There's no nonsense about changing the past. H.G. Wells (some spoilers follow) believes at first he has set Jack the Ripper loose on a socialist utopia; but when he finds that the world is, on the whole, as violent as it's always been, he doesn't use this as an excuse to write off the menace he inflicted on 1979 San Francisco as unimportant, nor does he (or the film) retreat into a "Back to the Future" fairytale. He makes a serious attempt to right his inadvertant wrong. This is the main reason that tension steadily builds throughout and the "chase" conclusion is as smart and involving as anything that has gone before.