SYNOPSICS
Red Hook Summer (2012) is a English movie. Spike Lee has directed this movie. Jules Brown,Thomas Jefferson Byrd,Toni Lysaith,Limary Agosto are the starring of this movie. It was released in 2012. Red Hook Summer (2012) is considered one of the best Drama movie in India and around the world.
A middle-class boy from Atlanta finds his worldview changed as he spends the summer with his deeply religious grandfather in the housing projects of Red Hook, Brooklyn.
Red Hook Summer (2012) Trailers
Red Hook Summer (2012) Reviews
A Good Movie
Don't even pay attention to the rating on this movie. It was good. Some might say the movie is not worth watching after the first few minutes, but I would challenge them to watch the movie a bit longer. This movie was very well written, it was classic Spike Lee style (but written better than some of his old movies), and it even had a surprise twist (which I won't divulge). This movie is not like one of those gospel stage plays or even some of the movies that you would find on Netflix. This is much better. A person needs to really give this movie the 2 hours it deserves and have a good time. It may make you cry (when the secret comes out), but this movie is not a waster. It certainly deserved a better rating than it received. Please give it a chance, and you will not be disappointed.
Brilliant
Red Hook Summer, was funny, thought provoking, tugged at your emotions, and made you think...Classic Spike! You felt a sense of nostalgia with the return of characters Mookie (Do the Right Thing) and Nola Darling (now Mother Darling - She's Gotta Have It). The use of colors was wonderful, as usual Spike and his director of photography has a way of bringing the viewer right into the scene both visually and emotionally. I felt like I was living in Red Hook. The third act of the film was one of the most powerful scenes I have viewed in a looooong time...particularly with films of color. The symbolism Spike used just gave me goose bumps. That makes me want to see this film at least another 3 times, just to study the genius of this filmmaker. The overall music used in this film by Judith Hill and Bruce Hornsby was light and warm - a perfect contrast to the set of the film taking place in the projects of Red Hook - where there's much "death" - I suppose that is the irony of life. There was of course a turn at the end, and the music became more hard hitting during the last scenes of the film - the combination of the visuals and the music REALLY brought me emotionally into the "disturbing situation", brought tears to my eyes. 10 stars! And "that's the truth, ruth!"
Could have really been somebodys life?
I can see why Spike Lee keeps succeeding in the face of so much critical negativity. This movie may not reflect your life, your upbringing or circumstances, it does however reflect an otherwise hidden existence that Spike Lee brought to life. Well done. Worth watching.
Critics are really missing the boat here
Saw the new Spike Lee, "Red Hook Summer", in an empty theater. Not surprising, as it's gotten some bad reviews, but I kinda liked it. Yes, it's a bit of a mess and the child actors really are awful (seriously, Spike, you couldn't find talented black kids in BROOKLYN??) but I think the critics missed the boat. It struck me as Spike's response to Tyler Perry-ism and a rather pointed comment on poor black people's love of church, even tho' Jeezus ain't done nothing' for them lately -- nobody seems to have noticed, much less mentioned that in any review I've read. The great Clarke Peters (of "The Wire" and "Treme") is wonderful. Loved the super-saturated color cinematography. A few things make no sense (tho' explaining would mean spoilers) but overall, worth a look.
Worth Seeing
Red Hook Summer definitely fits within Spike Lee's oeuvre, recalling the child's POV-style of storytelling used in Crooklyn and the vivid color palette employed (albeit more effectively) in Do the Right Thing. As other reviewers have no doubt already pointed out, Clarke Peters gives a superb performance, though nobody has yet mentioned Thomas Jefferson Byrd's performance, which I thought was at least on-par with his previous work if not surpassing it. Byrd's drunken prophecies shine transparent with hypocrisy, which is a major theme explored on a deeper level once the film's exterior is peeled back in the final act. Speaking of which, the final act is undoubtedly the highlight. I can't go into too much detail or I will spoil the story's impact. This sequence carries a lot of the film's weight, but viewers won't know it until it comes. The sermons are also powerful, both on the pulpit and off. It's just all too unfortunate that the lackluster acting of the two primary child stars takes away from an otherwise engaging story. And although I am a fan of much of Lee's work, I will never understand his music choices---oftentimes cheesy songs interfere with what would have been phenomenal left to natural sound... think the father-son reconciliation in the woods in Get on the Bus or some of the moments in Clockers. This is probably a matter of taste, but I can't get over it. I guess I just like the other elements of his style so much that I wish he could do better with the soundtrack (NOT the score---his scores are usually good). I guess my main point is that Red Hook Summer is worth seeing, despite the extremely low ratings I've seen in various online locales. It's just not Lee's best by any means, but not a failure either. It's just kind of... muddied.